{"id":47,"date":"2010-07-12T17:14:55","date_gmt":"2010-07-13T00:14:55","guid":{"rendered":"http:\/\/sdc-sage-editing.com\/sdc-sagewit\/?p=47"},"modified":"2013-06-15T23:14:23","modified_gmt":"2013-06-16T06:14:23","slug":"banish-your-inner-editor","status":"publish","type":"post","link":"https:\/\/sdc-sage-editing.com\/sdc-sagewit\/?p=47","title":{"rendered":"Banish Your (Inner) Editor"},"content":{"rendered":"

Not permanently\u2014just while you\u2019re writing the first draft of your project.\u00a0 Yes, I realize that\u2019s strange advice coming from<\/em> an editor, but think of it this way: You wouldn\u2019t want an actual editor hovering over your shoulder and correcting every sentence as you\u2019re writing it would you? No? \u00a0I didn\u2019t think so.\u00a0 I don\u2019t want my<\/em> inner editor hanging around, either, when I\u2019m writing. \u00a0Don\u2019t get me wrong\u2014there is a place for inviting your inner editor to apply her discerning eye and feedback to what you\u2019ve written but it is later, rather than earlier, in the process.\u00a0 Having her peeking over your shoulder and questioning every word or comma placement just as you\u2019re trying to get your ideas onto the page is generally not a happy arrangement: It leads to frustrations about the amount of time spent fixing rather than writing your composition, writer\u2019s block, and a burning desire to tell your inner editor, in no uncertain terms, to take a one way trip to a most unpleasant location.<\/p>\n

Why is it that our inner editors jump in and launch into \u201ccorrection\u201d mode as soon as we start to write?\u00a0 The best explanation I\u2019ve come across so far is by Henriette Anne Klauser, author of Writing on both sides of the brain<\/em><\/strong>.\u00a0 According to her, the reason we try to write and edit at the same time has to do with how we learned to write. <\/em>Klauser points out that:<\/p>\n

\u201cWhen you first began to write, you had someone standing over you, correcting your form, and your grammar and your spelling. …Today when you sit down to write, chances are that your teacher is still with you, standing over your … shoulder, correcting, critiquing, circling upper case letters with her red pencil, and in other subtle and not so subtle ways discouraging you from writing, generally stemming the flow of words.\u201d\u00a0 (1987, p. 10)<\/p><\/blockquote>\n

The good news, as Klauser points out, is that the actual process of writing\u2014getting the words on the page\u2014is a learned skill.\u00a0 The habit of trying to edit and write at the same time can be unlearned <\/em>and in its place we can learn about and practice strategies that keep the editing function separate from the writing process (1987, p.13).<\/p>\n

As writers, we need to find and use techniques for getting the internal editor out of the way.\u00a0 We can learn how to capture the creative mind\u2019s ideas and images as they surface and just get them down on the page–minus the second guessing. I\u2019ve drawn from a few different resources, including Natalie Goldberg’s and Julia Cameron’s books on the writing and creative processes, to provide some strategies for banishing your inner editor when you write.<\/p>\n

<\/strong><\/p>\n

Outrun or outsmart your inner editor!<\/strong><\/p>\n

One strategy that seems to have an established track record (pun intended) for getting past the inner editor is to simply outrun him through regular (daily) writing sessions in which you write (preferably by hand) at a fast and furious pace for a designated amount of time or number of pages.\u00a0 The point is that when you continuously move your hand across the page as quickly as possible, without going back to make any corrections, your inner editor cannot keep up with what is actually going onto the page. You could try using short, timed writing practices as a warm up for working on your project.\u00a0 Switch immediately from the practice to the project and apply the same principles (keep writing and don\u2019t stop to correct the text).\u00a0 You may well succeed in getting a lot of writing done before your inner editor catches up with you.<\/p>\n

Klauser suggests using \u201cinvisible ink\u201d to outsmart your inner editor.\u00a0 Place a piece of carbon copy paper between two sheets of paper, and use a pen that no longer works to write on the top piece of paper. Your inner editor cannot do his job if there is nothing on the page for him to see or critique. \u00a0If you use a computer for your writing practice, the equivalent of \u201cinvisible ink\u201d would be to change the colour of the font to white so you won\u2019t be able to read what you\u2019re typing.\u00a0 Once you\u2019ve finished writing, return the font colour to black and then read the piece.\u00a0 Don\u2019t worry about the typos\u2014and there will probably be a lot of them–most of them can be fixed with spell check. \u00a0What spell check doesn\u2019t find, your inner editor most likely will find and correct.<\/p>\n

Send your inner editor out for afternoon tea<\/strong><\/p>\n

It\u2019s tempting to rudely tell Ms. Inner Editor to get lost if she is really persistent and disruptive but, depending on your inner editor\u2019s personality, she or he may or may not respond well to this approach.\u00a0 Keeping in mind that you do want your editor\u2019s input at a later stage of the process, you want to establish a mutually respectful and cordial relationship with her, if possible. It might be wiser to pretend that she is like a house guest who is getting under your feet and you would both benefit through firmly ushering her out the door for a pleasant excursion while you\u2019re writing. \u00a0\u00a0If you are familiar with Julia Cameron\u2019s \u201cArtist\u2019s Dates\u201d, you can think of this strategy as a kind of imaginary \u201cinner editor\u2019s date\u201d.<\/p>\n

If your inner editor is a tea granny, you could give her $20, make sure she has her handbag, glasses, and keys and send her across town to enjoy a leisurely afternoon tea. Just don\u2019t give her a cell phone, or she\u2019ll be phoning you every few minutes to ask how you\u2019re doing with the writing.\u00a0 Send her to a quaint, classy little tea shop where the service is excellent and there are lots of things for her to read and keep her occupied until you\u2019re ready to bring her back home. (I don\u2019t think imaginary calories \u201ccount\u201d,\u00a0 so allow her to go wild with extra jam and clotted cream for her scones.)\u00a0 If your inner editor would be happier doing some other activity that keeps her or him distracted while you write, by all means tailor the \u201cimaginary excursions\u201d to her or his personal preferences.<\/p>\n

Become friends with your inner editor<\/strong><\/p>\n

My friend Karl, over at Work Happy Now<\/a>, wrote a blog post about dealing with fear. \u00a0Rather than being mean to his fears, he befriends them and treats them with compassion.\u00a0 If the technique works with fear-\u2014another part of our psyche that we tend to beat up on and try to conquer\u2014then my guess is that it would work just as well with our inner editors.<\/p>\n

In her book on writing with both sides of the brain, Henriette Klauser recommends getting to know your inner editor through a series of interviews and meetings (conducted as meditations).\u00a0 The purpose is to find out about your inner editor\u2019s personality and motives in order to train them to back off when you are writing. \u00a0I\u2019d like to suggest putting a slightly different twist on the strategy.\u00a0 What if you took the time to get to know your inner editor with the intent of genuinely establishing a friendship with him?\u00a0\u00a0 I\u2019m willing to bet that by making friends with our inner editor and assuring her that we appreciate her for what she contributes to the revision process, eventually she might happily give up trying to help you when you are in writing mode.<\/p>\n

<\/strong><\/p>\n

Four ways to free your writer from your inner editor<\/strong><\/p>\n

To summarize, here are a few ways to get your inner editor out of the way while writing.<\/p>\n

    \n
  1. Outrun your inner editor: <\/em><\/strong>Get into the habit of writing on a regular basis.\u00a0 Incorporate a practice in which you must write quickly and continuously, and not take your pen from the page for a set amount of time or pages.\u00a0 This helps you to tap into your ideas and get them on the page faster than your inner editor can keep up with your hand, and is a strategy recommended by authors and writing teachers such as Natalie Goldberg and Henriette Klauser.\u00a0 A variation on this, suggested by Klauser, is to outsmart your inner editor by using invisible ink when you write.<\/li>\n
  2. Set up imaginary \u201cinner editor\u2019s dates\u201d:<\/em><\/strong> This is a twist on Julia Cameron\u2019s weekly \u201cArtist\u2019s Dates\u201d that she recommends as a means of nourishing your creativity.\u00a0 An \u201cinner editor\u2019s date\u201d is an imaginary fun excursion that gets your inner editor out of your head and hair while you\u2019re writing.\u00a0 I\u2019ve found this approach has led to a friendlier and more productive relationship with my inner editor than rudely yelling at her to get lost for a few hours.<\/li>\n
  3. Befriend your inner editor: <\/em><\/strong> You can befriend your inner editor and develop a more productive and mutually respectful relationship with him. Gently explain to him that as much as he is appreciated at later stages in the process, his presence is distracting while writing a first draft.\u00a0 Then send him out for an excursion for several hours while you write.<\/li>\n
  4. Co-opt your inner editor: <\/em><\/strong>If your editor really must get herself into the picture somewhere at the beginning of a writing project, ask her to help you find and evaluate the information that you want to use in your writing project.\u00a0 If she\u2019s reluctant to leave when you sit down to write, choose a topic that she would love critique and let her rip for ten minutes, on the strict understanding that at the end of the timed writing, she leaves and you get to write in peace.<\/li>\n<\/ol>\n

    Have fun with these strategies, and please do share any strategies that work for you.<\/p>\n","protected":false},"excerpt":{"rendered":"

    Why is it that our inner editors jump in and launch into \u201ccorrection\u201d mode as soon as we start to write?<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1,6],"tags":[7,16],"_links":{"self":[{"href":"https:\/\/sdc-sage-editing.com\/sdc-sagewit\/index.php?rest_route=\/wp\/v2\/posts\/47"}],"collection":[{"href":"https:\/\/sdc-sage-editing.com\/sdc-sagewit\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sdc-sage-editing.com\/sdc-sagewit\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sdc-sage-editing.com\/sdc-sagewit\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sdc-sage-editing.com\/sdc-sagewit\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=47"}],"version-history":[{"count":9,"href":"https:\/\/sdc-sage-editing.com\/sdc-sagewit\/index.php?rest_route=\/wp\/v2\/posts\/47\/revisions"}],"predecessor-version":[{"id":233,"href":"https:\/\/sdc-sage-editing.com\/sdc-sagewit\/index.php?rest_route=\/wp\/v2\/posts\/47\/revisions\/233"}],"wp:attachment":[{"href":"https:\/\/sdc-sage-editing.com\/sdc-sagewit\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=47"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sdc-sage-editing.com\/sdc-sagewit\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=47"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sdc-sage-editing.com\/sdc-sagewit\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=47"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}